Showing posts with label Gram's house. Show all posts
Showing posts with label Gram's house. Show all posts

Sunday, May 1, 2011

May you always, and once again.

Happy May, everyone!

For the last few days I have been trying to come up with a better May First post than the one I posted last year... and I simply can't.

Last year's was just so very right, and upon re-reading it I think I need to post it again, especially for those of you who weren't visiting in May of last year.

It's still precisely what I feel. I've even added the four songs from the original post back to the jukebox.

So please enjoy it all again. I mean every word. Just add a year to any time references and read on.

If you had visited the ol' S&P on this date exactly one year ago, you would have seen this...

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 May you always...

"... walk in sunshine."

Five years ago today, the great Matriarch of the Lennon family, my Gram, passed away at the age of 85.

It was her way to help you walk in sunshine even when she knew times could be cloudy, dark, and unsure, as they often were in her long, storied life.

She was stoic, she was unbelievably strong and resilient, she held the deepest faith in God and in her convictions... and she was one of the funniest ladies I've ever known -- not always on purpose, mind you -- and when it wasn't on purpose it was extra funny.

She was our Rock and our Light so often and for so long that it's still nearly impossible to think she's not in her kitchen somewhere making the world's most perfect pancakes, or using a little tough love and a wooden spoon to teach a grand- or great grandchild how to be a real person.

My Great Grandmother Nana, my Grandmother Sis, and me, July 1968

And as I've written before, she gave me Hallowe'en -- that she passed away exactly half the year 'round from her favorite holiday must have made her soul giggle at least a little bit. It does mine now.

She had 11 children, and really, I've stopped counting the grandchildren and great grandchildren which now number well into the 60s. And never even mind the hundreds of people whose lives she affected in personal friendship, and the many thousands who have been made joyful by the music and art that her children and grandchildren have brought (and continue to bring) to the world.

  Much that is beautiful and unique in my life and yours would not be here but for her.


Still... if anything, Gram was a trooper with way too much to do to cave into emotional wreckage. I can hear her right now: 'Oh! Why do you have to get so dramatic? Smile, lighten up, go outside and do something!'

Yes ma'am!

So we'll go outside...

May is Spring with an attitude. The child April has become a bit of a sullen, wild teen, knowing its time will turn to Summer soon enough.

In honor, I have changed the jukebox just a bit. I will only comment on additions -- the songs still there from last month have their comments in this entry.

The first new addition is a natural. Julie Andrews singing The Lusty Month of May from the original Broadway cast recording of Camelot (1960). Perfection.

Then, from the incredible mind of Corky St. Clair comes a song about Spring rains, flooding rivers, storming skies and the water ravaged but defiant generations of Plains folk -- This Bulging River is a moving number from St. Clair's one-night-only 1997 stage production Red, White & Blaine, celebrating Blaine, Missouri's sesquicentennial (that's 150 years).

The last two additions are in honor of my grandmother.

Flashes is a solo piano piece composed in 1931 by the inimitable Bix Beiderbecke, a wondrous work performed here by Dick Hyman in 2008 (Bix never recorded it in his short life). Now this song, and all of Bix's music, reminds me of my father because he was a cornet player who was often compared to Bix, and he was of an era of the great Jazz players.

But Beiderbecke's music also reminds me often of my grandmother -- this one particularly has always made me feel the way I used to when I was at Gram's house alone, or nearly so, and just walking, or laying on the couch, listening to her radio station or hearing the Venice beach breezes rattle the windows and chimes. Like her, it is as complex and subtle as it is warm and inviting... and like her, it is simply one of the most beautiful things that ever was.

Lastly, since we all agree that if it hadn't been for her, the world would never have had these lovely ladies and their incredible voices...
I had numerous images at my disposal, but I HAD to pick this one... I just had to.
... then I feel a 'May' song that has become so closely identified with the Lennon Sisters (that's my Mama at lower right) was in order. This version of May You Always was taken from a late '60s episode of The Lawrence Welk Show. I had the honor of performing May You Always with them when they sang it together for the first time in years, on the occasion of their 50th anniversary in show biz...


I know Gram always loved to hear them sing it.

I hope you all walk in sunshine, now that May, and mid-Spring, have arrived.

Just don't forget, in the midst of all that sunshine, greenery and flowery-tude-inous-ness, that we are halfway around the year from dark, orange-black, undead loveliness...


DDSP!

Wednesday, January 5, 2011

The night that changed my life.

Well, one of the many nights that changed my life.

And one of the most memorable.

Recall that picture of the L.A. Dodgers baseball-shaped AM radio?


Here's the story I promised in that post.

No, I didn't come close to death and then suddenly pull away from The Light and breathe again with a new outlook on life, a new tenderness toward my fellow man.

I was not visited by three Ghosts.

Well... sort of.

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If I may quote Sophia Petrillo:

'Picture it -- Las Vegas, October, 1975 -- and Hallowe'en was in the air!'

Mom had just finished a two week run of performances with her sisters and Andy Williams, as they did many times a year in those days.

We were packing up, getting ready to drive back home to the San Fernando Valley... and man! did my arm itch!

I kept digging at it, and by the time we were halfway to Barstow and my chest and neck were searing and itchy, my mother had officially diagnosed me:

Chicken pox. 

I was just seven years old.

Oh, it wasn't the itching that was bothering me. Not as bad as I probably made it seem, anyway.

No, what was terrible was that I had just come down with it and knew it meant at least two weeks of fevery, irritated, Calamine-soaked convalescence... and Hallowe'en was only a week away.


Yes, friends. Your humble pubkeep was going to MISS OUT ON HALLOWE'EN.

Me, the Monster Hallowe'enest Kid of the Ages, was going to be sick for Hallowe'en.

I was a seven-year-old questioning the fairness and even the existence of a God who would let such a monstrous thing come to pass. I was mad, and surly, and itchy and ill, and put out in the way only a truly bent out of shape child can be.

For the next week, things were not pretty:


Well, okay... I wasn't really like that (though it was indeed a terrible, horrible, no good, very bad time). Fact is, I was honestly too sick for some few days to even notice, let alone care -- the itching was still terrible but the novelty of it had worn off in bleeding sores and it was the fever that was making me so sick. I couldn't do much more than groan and drink fluids and sleep.

So I wasn't really up to acting up.

But once the worst of it was over, the realization returned -- no Hallowe'en.
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Now, you've read the posts about my Grandmother's house, right? So you know what it meant for me to be there on the 31st, and what it meant to know I wasn't going to be. 

I was dead inside.
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Well, odd as it may seem, even in the face of The Great Disappointment I could not stay entirely miserable.

Sure, tagging along with my mom as we drove my brothers to Gramma's house was probably a lousy idea; the drive back was indeed miserable. My older sister Julie stayed with us, rather than go to Gram's, which was certainly a very kind thing to do for me but I was just baffled that she'd choose to miss out.

My baby sisters were far too little for any of it.

Still, it wasn't all bad.

For one thing, I got to dress up, sort of. Mom let me slick my hair back, and use one of my blankets as a cape, and put in some good ol' vampire teeth. You know the kind...

Mine didn't glow in the dark but this picture looked better than the others.

Another questionable move that at first seemed like a good idea was helping hand out treats (with a vampiric laugh or two) to neighborhood kids. Not that I was contagious anymore (my mom wouldn't have let me near the door); it was the ten minutes it took to realize I was just missing out on the Big Night that burned me. By the dozenth knock and shout of "Trick or treeaat!" I was a broken man.

My misery had returned, my face was hot with tears, and it was only 6:30 pm. Would the torment go on forever?

"Alright, that's it," said Mom. "You're miserable. Hot bath time."
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The last time I visited that house, I couldn't help but notice how tiny the bathtub was. Back when I was seven and itchy and despairing, it seemed enormous, cold, clinical, deep and intimidating.

But at least I was finally letting it all out. I was crying, itching, soaking, and just plain sad.

"It's not fair," I'd repeat. "I love Hallowe'en and it's just not fair!"

But my mom was... well, my mom. She had (and still has) a talent for putting certain things in perspective (to young people especially) in a way that sneaks up to make sense. While I could still hear knocks and laughs and neighborhood fun beyond the bathroom window, I listened to her, and while I may not recall all of the wording precisely, I do recall much of it -- it was one of those moments in a kid's life -- and I will never forget her message.

"You know, Mike, of all my kids you do love the monsters and the spooky things the most, I don't know why. All of you kids certainly do but you most, somehow. So I know you think you're missing out. But listen to the kids outside --"

I did.

" -- and tell me you'd rather be outside with them."

I had to think for a moment but then realized the truth. "Actually, no," I admitted, "I don't really want to be with them, I just want to be at Gram's house putting on the show."

"Exactly. You're not sad because you're not out trick-or-treating, you're sad because you think you've missed out on the part you love most -- the making of it, the dressing up and putting on the show. Well, you got to dress up at least."

Reluctantly I had to agree.

"And you kind of got to put on a show of your own. You got to do a Dracula voice."

"Well, not really. I mean they all knew it was me talking scary and everything."

"Yes but it's still your doing, right? You were making it up. Even getting over being sick couldn't keep you from getting into some kind of fun for some length of time."

I soaked, and nodded, and kept listening.

"You know, you can have Hallowe'en everyday if you want. As far as I'm concerned that's what you do anyway, with your toys and models and books and everything. You can choose to feel this all the year round. And no temporary sickness can take it away. Think about that for a minute... then rinse up and dry off and get pjs on and let's watch some specials on TV or something."

--------------------------------------------------------------------------------------------------

After I got into my pjs, Mom and Dad made us all some popcorn, and with the remainder of the Hallowe'en candy, we sat down to watch a made-for-TV movie called The Night That Panicked America, a docudrama about Orson Welles' infamous War of the Worlds radiocast of 1938. I had never heard anything about this historic event, and found myself truly enthralled with the idea, the technology, the pure gas of scaring a bazillion people at once with a microphone, a sound effects table, and a good spooky tale.


I watched the entire film completely entranced, and at some point I became aware that by learning about it I was, in effect, going behind the scenes to put on the show for Hallowe'en; that I was a part of the display, part of the magic of the scare and the fun, and I was in on the knowledge of how to do it.

This was a revelation. From here on out, I was going to be in on the haunting... even if I had to build it myself.

On the TV the movie was winding down and by the time the cast had realized it was just a radio show, I was more than curious.

"Dad? You were born when?"

"Nineteen and Twenty-Four."

"And this was on the radio in 1938?"

"Yessir," he nodded, knowing exactly where I was going with it.

"So did you hear it?"

Dad smiled, put down his crossword and lit another cigarette. "Well, it wasn't on the 31st like the movie says; it was actually done the night before Hallowe'en. I was almost 14 years old and spending the night at a pal's house a few blocks from where your grandparents and I lived in Indiana..."

As he told us his own experience of this until-tonight-never-even-heard-of epic event (a tale I may recount another time), I began to realize with great pride that I was somehow connected, however tenuously, to one of the best damned Hallowe'en tricks ever pulled, and even my Dad, the master jack o'lantern carver himself, had to give it to those radio guys for pulling it off.

These were heady and powerful revelations. I was a kid but thinking like a grown up, about what was now fully solidified in my mind and heart and soul as The Most Important Night of the Year.
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There was plenty more to that night. I don't remember the order of all events but there was some hot chocolate made, another smaller pumpkin carving, coloring in one of my monster coloring books, and I recall sitting next to Dad and watching much of the original silent Nosferatu (1922) on PBS... but after such a long night of emotional downs and ups, I was tired. Dead to the bone, getting-over-an-illness, rescuing-from-disappointment tired.

My sister allowed that I could go to sleep in her room that night before everyone else came home from Gram's.

This was just cool because... well, being a younger sibling getting to hang in your older siblings' space is a big deal. I am sure some of you know what I mean.

Soon, I lay in bed buzzing with exhaustion and sugar and Hallowe'en thoughts as a southern California Autumn wind picked up outside, coaxing the fingers of dry branches to scratch and tap the windows and occasionally dance on our shingles. I drifted blissfully in and out of sleep in the orange dimness of (I think it was) a Woody Woodpecker night light, sort of like this only with glitter in the plastic and the eyes and beak weren't painted:


... and listening to the wind and the quiet raucus of mid-'70s pop on that little baseball shaped radio on the bedpost beside my ear.

Fly, Robin Fly, If You Leave Me Now, Could This Be The Magic?

And as I lay there in a perfect mid-sleep state, I realized one more thing.

Rather than miss Hallowe'en, I had actually just experienced the first truly meaningful Hallowe'en of my young life. I had faced and beaten a sadness, had met a problem and dealt with it, yes, but more than that, I had learned much about myself, and even more about Hallowe'en... foremost that I was never, ever going to let another one get by me.

Ever.
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Strange, but as I neared real sleep I could hear children running, laughing, down the street. I figured it couldn't have been real, because it was late, super late for our kid-filled neighborhood and there had been no trick-or-treating going on for some time now... yet I heard them just the same -- the smack and dance of sneakers on sidewalks, the rustling of treat bags and pillow cases filled with kid gold, the flapping of capes and skirts and masks and the laughter, the giggling whispers vanishing on the wind.
  

Maybe it was all just that balmy wind (as I like to think, a sour-sweet Grinch Night wind). I can't really say. I just know Hallowe'en was still playing itself out, all around me.

Soon, I could hear a new ruckus but this one no mystery -- the hushed-but-too-loud-voices of my brothers as they returned home, in the living room with our mom and dad, sharing tales of scaring glory, of the best makeups from Aunt Kath and Aunt Janet and the best homemade costumes and the best store-bought masks and the funniest lines from the Dr. Insano balcony show.

I couldn't help but listen with a smile. They seemed to have had a very fun time.

Sure, I could've felt jealous. But I realized they'd missed out on my amazing time at home.

And then I realized something else. 

Soon, I was going to be the happy, healthy one having all the fun.

They were all going to come down with chicken pox in another week.**


DUMDUMSHREKPOX!

** -- and yes they did!

Tuesday, December 28, 2010

A (picture heavy) reminder...

... of why I love what I love, and the things that contributed to my Hallowe'enishness, to the grooming of yours truly into a bona fide, living-dyed in the wool Autumn Person.

You might share some of these memories with me.

This isn't everything that influenced me -- that may have to come in another post -- but they sure began the long, wonderful road.

























An L.A. Dodgers AM Radio from the '70s?

Yep. It features near the end of a remarkable Hallowe'en story from my very young days; a Hallowe'en in my seventh year that I nearly missed, and yet... well, I think I've found a good tale for another post.

Until then, enjoy your long Winter's nap, each of you. A warming round on the house.

DDSP!

Saturday, May 1, 2010

May (you always).

"... walk in sunshine."

Five years ago today, the great Matriarch of the Lennon family, my Gram, passed away at the age of 85.

It was her way to help you walk in sunshine even when she knew times could be cloudy, dark, and unsure, as they often were in her long, storied life.

She was stoic, she was unbelievably strong and resilient, she held the deepest faith in God and in her convictions... and she was one of the funniest ladies I've ever known -- not always on purpose, mind you -- and when it wasn't on purpose it was extra funny.

She was our Rock and our Light so often and for so long that it's still nearly impossible to think she's not in her kitchen somewhere making the world's most perfect pancakes, or using a little tough love and a wooden spoon to teach a grand- or great grandchild how to be a real person.

My Great Grandmother Nana, my Grandmother Sis, and me, July 1968

And as I've written before, she gave me Hallowe'en -- that she passed away exactly half the year 'round from her favorite holiday must have made her soul giggle at least a little bit. It does mine now.

She had 11 children, and really, I've stopped counting the grandchildren and great grandchildren which now number well into the 60s. And never even mind the hundreds of people whose lives she affected in personal friendship, and the many thousands who have been made joyful by the music and art that her children and grandchildren have brought (and continue to bring) to the world.

  Much that is beautiful and unique in my life and yours would not be here but for her.


Still... if anything, Gram was a trooper with way too much to do to cave into emotional wreckage. I can hear her right now: 'Oh! Why do you have to get so dramatic? Smile, lighten up, go outside and do something!'

Yes ma'am!

So we'll go outside...

May is Spring with an attitude. The child April has become a bit of a sullen, wild teen, knowing its time will turn to Summer soon enough.

In honor, I have changed the jukebox just a bit. I will only comment on additions -- the songs still there from last month have their comments in this entry.

The first new addition is a natural. Julie Andrews singing The Lusty Month of May from the original Broadway cast recording of Camelot (1960). Perfection.

Then, from the incredible mind of Corky St. Clair comes a song about Spring rains, flooding rivers, storming skies and the water ravaged but defiant generations of Plains folk -- This Bulging River is a moving number from St. Clair's one-night-only 1997 stage production Red, White & Blaine, celebrating Blaine, Missouri's sesquicentennial (that's 150 years).

The last two additions are in honor of my grandmother.

Flashes is a solo piano piece composed in 1931 by the inimitable Bix Beiderbecke, a wondrous work performed here by Dick Hyman in 2008 (Bix never recorded it in his short life). Now this song, and all of Bix's music, reminds me of my father because he was a cornet player who was often compared to Bix, and he was of an era of the great Jazz players.

But Beiderbecke's music also reminds me often of my grandmother -- this one particularly has always made me feel the way I used to when I was at Gram's house alone, or nearly so, and just walking, or laying on the couch, listening to her radio station or hearing the Venice beach breezes rattle the windows and chimes. Like her, it is as complex and subtle as it is warm and inviting... and like her, it is simply one of the most beautiful things that ever was.

Lastly, since we all agree that if it hadn't been for her, the world would never have had these lovely ladies and their incredible voices...
I had numerous images at my disposal, but I HAD to pick this one... I just had to.
... then I feel a 'May' song that has become so closely identified with the Lennon Sisters (that's my Mama at lower right) was in order. This version of May You Always was taken from a late '60s episode of The Lawrence Welk Show. I had the honor of performing May You Always with them when they sang it together for the first time in years, on the occasion of their 50th anniversary in show biz...


I know Gram always loved to hear them sing it.

I hope you all walk in sunshine, now that May, and mid-Spring, have arrived.

Just don't forget, in the midst of all that sunshine, greenery and flowery-tude-inous-ness, that we are halfway around the year from dark, orange-black, undead loveliness...


DDSP!

Thursday, August 13, 2009

Long ago & far away, the fourth part

The celebration of family Hallowe'ens continues. I told you it would.
My niece sent me a few vintage-ey photographs from the family collection that need to be posted.
First up:
My grandmother's den (as ever!) circa 1974. My mother helping my sister Julie get made up. The ashtray in front of my sister was for liner 'pencils' that you heat with a match for smoother application; they weren't getting ready for a mother-daughter smokefest (the presence of bongos notwithstanding).
Off to the lower left is my brother Joe.

This next is about ten years later. Same sister Julie, with foam latex face appliances made by Stan Winston. Really. A story for another time (I'll get to it, promise; it's not necessarily what you think)... but here she is looking, as my grandmother said, like Ruth Bullington. If there is anyone besides my family reading this, who knows who Ruth is, you'll agree and find it as funny as I do.

And last (for the moment), is a shot from Hallowe'en 1979.

This is perfectly representative of every Venice Hallowe'en night in my memory. LOTS of visitors, waiting patiently for a Dr. Insano sideshow, staring at the graveyard... and this is only one side of the yard! There were as many people on the other side... all night long.

Amazing. 40 years ago this very Hallowe'en, the anniversary of the first Lennon Family Hallowe'en at Grandma's house in Venice.

I have lots to tribute!

Do any of you have old Hallowe'en pics like these you don't mind sharing? Really, send them along. This is our meeting place, after all. I have all this family stuff proudly displayed on the dimly lit walls of this homely and welcoming pub... but I would love to start displaying the images and stories of the small but growing family who gather here at the Skull & Pumpkin.


Shpoonk!

Monday, July 13, 2009

Long ago & far away, the third part

By now, you must begin to see how my world view, life's ambitions and basic philosophical foundation were formed, informed, malformed, from the beginning.

I started young.

Yes, very young.
Here's the smile I wear every year, all October long; this photo was taken in October of '68, the very first October I ever knew.
See? Even then, I was enthralled. This is in my baby book; 'Oct. 1968' is in my Mom's handwriting so I know it's true. My mother never lies.

The next photo I could find was in the same baby book, again in Mom's writing, as 'Hallowe'en 1970'. Well, you can see it there, no need for me to go on... except to say that I think I made one exceptionally cute little ghost.
This next is from '74, as The Wolf Man (one of my favorite classic Universal Monsters). I would love to say who is beside me in the Ape mask, but memory fails me. My instinct says it's my mama... Relatives, a little help?
UPDATE: It is my cousin Dee Dee, as suggested by my sister some time ago, and recently confirmed by Dee Dee herself.
By the way, that skull between our heads is actually a vinyl hand puppet that I absolutely loved and played with every day for what seemed like years. I haven't any idea where it went, sadly.
UPDATE: No, we have not found the skull puppet, but Dee Dee informed me she had that skull pinned to her shoulder as part of her costume. You have to love the originality of Hallowe'en-crazed kids!
In 1976 I decided to go with a Scarecrow, which in hindsight is kind of an odd choice for a die hard monster lovin' kid as I was. Still, I stalked around the yard and scared plenty of folks, so it was monstrous enough. The werewolf in the Crespi High School lettermen's jacket is my older brother Joe.
And then there was THE FLY! I recall Mom getting me this mask, oh what a day that was. I'd admired -- hell, lusted for -- this mask for a long time, and every time we'd visit the great old comic and magic shop, Fantasy Castle, I'd stare at it up on the high mask shelf. I think one day it was put on clearance and dropped from something like $75 to $25, somewhere in there. Mom's eye lit up almost as brightly as mine!
The Fly was in the top three of my favorite monster films (King Kong, The Wolf Man, The Fly) during my childhood, and finally having this mask thrilled me to no end.
Again, my brother Joey joins me in the photo. Here he's wearing some foam appliances; he doesn't really look like that. 1977?
This was another Wolf Man, in '78 or '79 (the calendar behind me is unreadable, and is likely only decorative anyway), only this pic was taken just after I'd removed my snout, brow and chin/fangs appliances. For whatever reason. You can tell by the look on my face that even then I thought it was a lame moment to take a picture.
Like many young (and I suppose not so young) people in the early 80's, I was worried about the End of the World and nuclear war, and this particular creation, a non-descript mutant soldier, reflects that anxiety. Yeah the pic's blurry, but it wasn't a great make-up anyway. I just like it because of its historical context... and because the ape-ish mutant soldier has such well-coiffed early '80's hair.
The next image I could locate is years later, and I'm now just out of high school, so this is '86 at the earliest. I was turning myself into a mad doctor, a la Alice Cooper (rather than Rocky Horror). Here my brother and my uncle are pointing out my make-up skills for the benefit of the camera.
In 1990, a production crew from the 'Home Show' on daytime TV came out to my Grandma's house and taped all of Hallowe'en day and night, as well as the clean up the next morning. The videos and some stills in these posts are taken from that footage.
For that special Hallowe'en, I thought I'd finally take the dive; instead of portraying something which represents evil, I'd go ahead and just be THE DEVIL his-infernal-self!
Again, I did my own make-up, put my costume together, and even grabbed a fiddle to play (kind of)... I also had with me a red book and a feather quill pen, and as I walked around the fence, anytime someone spoke to me, I'd stare at them, smiling, while writing (ostensibly their names) in the book.
It actually made some people uncomfortable!
During those last few years when we were all still living in L.A., I was making masks rather than complex applied make-ups. I was helping to provide a bit more of the props and helping everything to run smoothly, and I didn't have time to sit for hours building a make-up. I instead made odd masks a few weeks before, put the outfit together, and after setting up all day, I would simply black my eyes, put everything on, and go.
This is 1991, I believe. I believe. Sort of a skeletal House of Wax thing. Perhaps a Zombie Simon Legree? I made it with meltable, malleable Friendly Plastic and acrylic paints.
This last photo is, I believe, the last costume I ever wore on a Hallowe'en at Grandma's house, in 1993. I made the overhead mask out of latex, Friendly Plastic, acrylic paints, enamel stains, and even some fake hair. Then, of course, the suit was one of my dear old Dad's which I tore up, burned, stained, and then buried straight in the ground for a month before digging it up, bagging it with some dirt, and taking it to Gram's house. I had to dress outside because of all the muck still clinging to it, but let me tell you something: I looked, moved and smelled like I'd just come out of the ground after hanging out down there for a good long while. It was unnerving, actually.
Here I am with my godfather, Uncle Pat, in front of the staircase, ready to head out for one more Hallowe'en celebration.
1993 was the last year that all of the Lennons were able to get together for a traditional Grandma's House Hallowe'en; a lot of us moved to Branson MO the following Spring, and we were a family divided (in miles, not in our hearts). But for another few years, those who were still in Venice did their level best to put together a haunt, and while they tell me it worked and was fun, they all agree it just wasn't the same, by any measure. It didn't feel right without all of us there.

So... sadly, with the exodus of family and the eventual sale of the beautiful old house on Harding and Naples in the 90's, the Lennon Hallowe'en Era in southern California came to a close.

But with the move to the Ozarks, the era of my own haunts began.

There are, as with any good story, a thousand sidesteps, details, inside jokes, and in this case, pictures, tons of pictures. I will always be adding images and tales from the Hallowe'en front lines of Grandma's house.

Spook forward-